It's that time of year when high school drummers start preparing for the workout of their lives. It's time to get into shape and your skills honed. Wanna be the best you can be? Enroll with a private instructor in your area.
Diddles, flams, cheeses and rolls are some of the skills you'll need to compete in this arena of drumming. Repetitive warmups to build equal responses in both upper limbs all the while keeping time with the feet.
I'll add one more important step to being the best you can be ... mental attitude. You need to crave, desire, lust, want to be a champion. This is the only way to drive yourself to greatness and commit to practicing.
So, with your goals and a coach/instructor, you can be the best you can be.
Good luck with your goals.
Kenneth Ray Sword Jr
Drum and Percussion writer and instructor for Catoctin High School Band and Walkersville High School Band in Frederick County, Md. Private Instructor at Music & Arts Center in Frederick, Md.
Call the store for available lesson times.
301.694.0007
Showing posts with label snare drum. Show all posts
Showing posts with label snare drum. Show all posts
Sunday, July 5, 2009
Thursday, March 26, 2009
Discounted drumheads
Discounted drumheads.
We have acquired a load of drum heads from a major retailer and we are passing on the deals to you. Remo, Evans, Ludwig, and others are listed.
You will see sizes from 8" to 28", smooth white to clear to pinstripe to coated. Batter and resonant heads. Bass heads. Tympani heads, too.
Many are only $5.00 plus S&H. Some are $7.00 plus S&H and others $10.00 to $30.00 plus S&H.
These are all new heads, never mounted. The packaging was not A-1 so the major name store felt they couldn't sell for a profit. In turn they allowed us to obtain them to raise money for percussion equipment needed for education and community percussion ensemble group.
Buying these heads will go to help kids get involved in percussion programs.
Thank you for your interest in helping us help young drummers of the future.
Click here to see our current list and how to order.
We have acquired a load of drum heads from a major retailer and we are passing on the deals to you. Remo, Evans, Ludwig, and others are listed.
You will see sizes from 8" to 28", smooth white to clear to pinstripe to coated. Batter and resonant heads. Bass heads. Tympani heads, too.
Many are only $5.00 plus S&H. Some are $7.00 plus S&H and others $10.00 to $30.00 plus S&H.
These are all new heads, never mounted. The packaging was not A-1 so the major name store felt they couldn't sell for a profit. In turn they allowed us to obtain them to raise money for percussion equipment needed for education and community percussion ensemble group.
Buying these heads will go to help kids get involved in percussion programs.
Thank you for your interest in helping us help young drummers of the future.
Click here to see our current list and how to order.
Friday, August 8, 2008
Match Grip vs. Conventional Grip - Which is correct?
Match Grip vs. Conventional Grip - Which is correct?
Hello and no, this is not a battle of one grip over the other. This has to do with current practices that are not ergonomically friendly. The rising number of drummers within the past 15 to 20 years that have had drumming related injuries is well beyond the numbers of generations prior. Let's take a look at some of the possible reasons.
The most common injury is Carpel Tunnel Syndrome, an injury of the tendons. This comes from several things.
1. Lack of stretching and warming up before playing.
2. Bad grip or grip technique
3. Bad motion of the wrist/arm
Let's start with stretching. It is a necessary instrument prior to performing. The cold tendons and muscles need time to get into playing condition. Getting good blood flow to the limbs is necessary, too. With the blood/oxygen flow the limbs are now prepared to handle the stress they are about to take on. Without stretching you are placing those limbs into an At-risk of injury.
Next is bad grip. With any job your goal is to expel to least amount of energy and get maximum results. I call it the 'play smart, not hard' theory. Think of like a major purchase. If you can get that big flat screen TV at one store for $1400.00 and the same TV is at another store for $890.00 of course you'll go for the $890.00 deal.
Well, drumming should be the same way. Spend less energy and get the same product. This is where alot of energy is wasted, the grip. If you are not working with the stick's fulcrum (balance point) you are already fighting a lost cause. Second, gripping the stick like a club will tire your hand out. You want a loose grip just barely keeping the stick between the fingers. I tell my students to think of using the friction of the skin only to hold the stick in place, fingers lightly wrapped around the stick.
Now, since we are here on grip next would be what is the right grip. This is going to depend on the angle of the drum. If the drum is flat in front of you then match grip would be best for this drum position. Shoulders, elbows, forearms and wrists are all symmetrical and balanced. This would be ergonomically correct or in harmony with the body.
If the drum is tilted with the left side of the rim up and right side down then conventional grip is ergonamically correct. This grip was designed for field military drummers because the drum hung on a sling and tilted in the process. So the conventional grip was designed just for that. Later adoption to using it on flat field drums has led to more injuries and a player that is ergonamically out of balance. One shoulder is higher, one elbow in vs. the other out and the degree of twist in the left arm from the elbow forward. With this in mind, the spine also twists a little to help compensate for this position. This is not good at all on any marching player. The same goes for any sitting player behind a drumset.
So a marcher playing on a flat drum should be using match grip and this goes for sitting drummers with the snare flat in front of you or tilted toward you. On to bad motion of the wrists/arms.
There are times when a player gets tired and the gig isn't over. What happens? They tighten up. They start holding their breath. They start twisting the wrist in an awkward way. They start using more arm and less fingers ... it becomes an increasing stress to the player because they react in the opposite way they should. With the arms and wrists now reacting in the wrong way the player has increased the risk of injury. The player needs to relax, check their stick grip and their breathing. Any other bad motions, like slouching, will correct itself once you start to relax.
We covered some possible causes of injuries that the player can immediately correct. Let's look at just a few other things real quick that may cause injury.
Let's look at all of the things a percussionist has to strike and how. First, there are nearly an endless amounts of surfaces a player strikes from plastic, metal, wood, resins, composites, calfskins, cowhide, sheepskin, etc. And the choices to strike them from the hand to sticks/mallets to shaking. The gammot is wide open. How dense or soft the material is will also play in the effect on how we strike it and the repercussion it creates.
Todays marching snare drum has gone through many changes over the years in materials but still have these things in common; it's a round shell with heads, has hoops and snares mounted across the bottom head. Todays units are are built tighter and lighter than their predeceasors of 20 or 30 years ago. Torquing the top head, now made of Kevlar, is one design I question. The snare now sounding like a piece of masonite and such high tone doesn't carry far. So to compensate drummers have to play harder to get louder and when that's not enough the director needs to add more snares to the section. So, striking a torqued surface made of Kevlar with a Hickory drumstick ... what does that do to the player's arms? The repercussion (shock) of the strike will send back through the stick to the hand/arm a wave that is bound to have some effect to the player.
I mentioned other materials like metal (cymbals, gongs, bells, chimes, vibraphone ...), wood (woodblock, headless tambourine, marimba, bass drum hoops, cajon ...), resins (xylophone, graphite blocks ...) plastics (tambourine ...), different skins (bongos, congas, doumbek, djembe ...) and even vegetables (gourds, guiro ...) and clay pots (gourd variations, platas ...). Each of these have different methods of holding and striking. There is no doubt that the hand drums will have the most impact on your body overall. Care must be taken to insure the least possible amount of injury. Learning the correct techniques in holding and striking all of these instruments is essential.
Kenneth Ray Sword Jr
www.badassdrumming.com
Hello and no, this is not a battle of one grip over the other. This has to do with current practices that are not ergonomically friendly. The rising number of drummers within the past 15 to 20 years that have had drumming related injuries is well beyond the numbers of generations prior. Let's take a look at some of the possible reasons.
The most common injury is Carpel Tunnel Syndrome, an injury of the tendons. This comes from several things.
1. Lack of stretching and warming up before playing.
2. Bad grip or grip technique
3. Bad motion of the wrist/arm
Let's start with stretching. It is a necessary instrument prior to performing. The cold tendons and muscles need time to get into playing condition. Getting good blood flow to the limbs is necessary, too. With the blood/oxygen flow the limbs are now prepared to handle the stress they are about to take on. Without stretching you are placing those limbs into an At-risk of injury.
Next is bad grip. With any job your goal is to expel to least amount of energy and get maximum results. I call it the 'play smart, not hard' theory. Think of like a major purchase. If you can get that big flat screen TV at one store for $1400.00 and the same TV is at another store for $890.00 of course you'll go for the $890.00 deal.
Well, drumming should be the same way. Spend less energy and get the same product. This is where alot of energy is wasted, the grip. If you are not working with the stick's fulcrum (balance point) you are already fighting a lost cause. Second, gripping the stick like a club will tire your hand out. You want a loose grip just barely keeping the stick between the fingers. I tell my students to think of using the friction of the skin only to hold the stick in place, fingers lightly wrapped around the stick.
Now, since we are here on grip next would be what is the right grip. This is going to depend on the angle of the drum. If the drum is flat in front of you then match grip would be best for this drum position. Shoulders, elbows, forearms and wrists are all symmetrical and balanced. This would be ergonomically correct or in harmony with the body.
If the drum is tilted with the left side of the rim up and right side down then conventional grip is ergonamically correct. This grip was designed for field military drummers because the drum hung on a sling and tilted in the process. So the conventional grip was designed just for that. Later adoption to using it on flat field drums has led to more injuries and a player that is ergonamically out of balance. One shoulder is higher, one elbow in vs. the other out and the degree of twist in the left arm from the elbow forward. With this in mind, the spine also twists a little to help compensate for this position. This is not good at all on any marching player. The same goes for any sitting player behind a drumset.
So a marcher playing on a flat drum should be using match grip and this goes for sitting drummers with the snare flat in front of you or tilted toward you. On to bad motion of the wrists/arms.
There are times when a player gets tired and the gig isn't over. What happens? They tighten up. They start holding their breath. They start twisting the wrist in an awkward way. They start using more arm and less fingers ... it becomes an increasing stress to the player because they react in the opposite way they should. With the arms and wrists now reacting in the wrong way the player has increased the risk of injury. The player needs to relax, check their stick grip and their breathing. Any other bad motions, like slouching, will correct itself once you start to relax.
We covered some possible causes of injuries that the player can immediately correct. Let's look at just a few other things real quick that may cause injury.
Let's look at all of the things a percussionist has to strike and how. First, there are nearly an endless amounts of surfaces a player strikes from plastic, metal, wood, resins, composites, calfskins, cowhide, sheepskin, etc. And the choices to strike them from the hand to sticks/mallets to shaking. The gammot is wide open. How dense or soft the material is will also play in the effect on how we strike it and the repercussion it creates.
Todays marching snare drum has gone through many changes over the years in materials but still have these things in common; it's a round shell with heads, has hoops and snares mounted across the bottom head. Todays units are are built tighter and lighter than their predeceasors of 20 or 30 years ago. Torquing the top head, now made of Kevlar, is one design I question. The snare now sounding like a piece of masonite and such high tone doesn't carry far. So to compensate drummers have to play harder to get louder and when that's not enough the director needs to add more snares to the section. So, striking a torqued surface made of Kevlar with a Hickory drumstick ... what does that do to the player's arms? The repercussion (shock) of the strike will send back through the stick to the hand/arm a wave that is bound to have some effect to the player.
I mentioned other materials like metal (cymbals, gongs, bells, chimes, vibraphone ...), wood (woodblock, headless tambourine, marimba, bass drum hoops, cajon ...), resins (xylophone, graphite blocks ...) plastics (tambourine ...), different skins (bongos, congas, doumbek, djembe ...) and even vegetables (gourds, guiro ...) and clay pots (gourd variations, platas ...). Each of these have different methods of holding and striking. There is no doubt that the hand drums will have the most impact on your body overall. Care must be taken to insure the least possible amount of injury. Learning the correct techniques in holding and striking all of these instruments is essential.
Kenneth Ray Sword Jr
www.badassdrumming.com
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